Learn Watercolor Techniques with Colin Bradley. Paint Quinton's Ross on Wye Landscape Picture.
When I first started using Watercolour in 1980 I was inspired to copy the great artists such as Constable, Quinton and others. I couldn’t get on with oil or acrylic so turned my hand at watercolour.
As I had never gone to art school I just went with my instincts and had fun!
Because I tried to copy the great artists, the techniques I developed were completely unique and unlike any other watercolour pictures I saw.
I remained self taught, learnt as I went along and what you’ll see in this course is a result of years of learning through mistakes and finding what worked.
You’ll also see techniques never before attempted with watercolour (as far as I know). My watercolour pictures, even though they’re “impressionistic”, have a sense of realism about them.
In this course I’ll give you an outline drawing so that you can print this straight to watercolour paper or trace it using a carbon. I’ll also show you the materials I use in my watercolour work.
Then we’ll get started with the picture which is split into “easy to digest” parts.
With this course you will learn to paint A R Quinton's "Ross on Wye" Landscape.
I hope you enjoy learning my watercolour techniques, once you are finished, please do join our private VIP facebook group where you can share your work with my other students.
Have a completed picture of A R Quinton's Ross on Wye in Watercolour
Apply new watercolor techniques to their own work
Understand building colours and layers with watercolor
2 Lectures
1 Lectures
Colin Bradley became a professional artist in 1982 and opened his gallery in Broadstairs the same year. With 35+ years experience, 30,000 subscribers on YouTube and over 3 million views, his teaching has inspired people all around the world. Over the years, Colin has developed a range of unique techniques which you won’t find anywhere else.
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Bk R.
I liked the teacher and the image, but it turned out to be repetitive, without much explanation. It would be good to describe color choices. Also, discuss where the sketch that was the basis for the painting was actually produced.
Lots and lots of small brush strokes without much in the way of motivation, background.